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  • Review: "Me After September" - Caroline Romano

    The latest release from Caroline Romano is an emotional track about heartbreak and longing. “Me After September” follows the story of a broken heart that may never be mended. Romano wrote this song after ending a relationship in which she felt moving on and letting go would never be attainable for her. The track is Romano expressing her greatest fear—that her birthday would arrive in September and she would have to turn a year older without him. Celebrating her birthday alone would force reality to finally sink in and accept that they are really over. She reveals through her melancholy lyrics that she is not settling for being forgotten. The hook reveals her stubborn hope through the lyrics, “And pray to God there’s still some way// That you remember me after September.” These lyrics tie together the rest of the track, emphasizing the desperation she feels to cling to the past. “Me After September” is a stunning track composed of vulnerable lyrics that highlight Romano’s impressive songwriting talent. “Me After September” is a powerful ballad that leads the listener through the emotional story with vulnerable lyrics and enchanting production. The track begins with a guitar that is paired with soft harmonizing vocals that effortlessly set the tone for the song. Then, the lead vocals enter, kickstarting the heart wrenching story. By the time the pre-chorus arrives, the steady beat has been introduced. The song erupts into the intense chorus that carries the weight of Romano’s broken heart. Throughout the song, her voice adds an emotional element to the track that emphasizes her heartache and highlights her impressive vocal control. “Me After September” is a perfectly executed break-up song that pulls on the heartstrings of listeners through every detail—from the lyrics to the production. Caroline Romano is a Nashville-based singer-songwriter from Mississippi. At only fifteen-years-old, she released her debut single, “Masterpiece feat. Jacob Whitesides”. Two years later, she relocated to Nashville to pursue her full-time career as an artist. At eighteen-years-old, she released her single, “I Still Remember (ft. R3HAB)”, which kickstarted her impressive rise to fame. The song entered the Billboard Dance Chart and has over 3-Million streams on Spotify alone. In February 2022, Romano released her highly-anticipated debut album, Oddities & Prodigies. “Me After September” is her third single since the album, continuing her new era of music. Written By Karlee Smith FOLLOW CAROLINE:

  • Review: "Nightshade" - Madison

    Madison’s latest release is an energetic track flooded with dark imagery and compelling vocals. “Nightshade” takes the highly-poisonous plant of the same name, and twists it into the story of a toxic relationship. This relationship has consumed Madison from the inside-out, and overpowered her emotions. Now that it is over, she feels like a hollow shell of who she once was. She inserts grim details into the lyrics to paint the image of the pain she has suffered. In the chorus, she sings, “A dose of belladonna doesn’t go away// You’re killing me with your nightshade// I feel it, I feel it spreadin’ through my veins// Don’t even, don’t even remember my name.” These lyrics reveal the extent of the damage done—that they have drained the life from her. But for them, they are apathetic about their toxic behavior. Madison uses “Nightshade” to expose her abuser, inspiring listeners that relate to do the same. “Nightshade” is an outstanding track, composed of an upbeat melody with morbid lyrics. It is strongly influenced by 80s music, with a mix of modern pop, resulting in a unique track that stays true to Madison’s sound. She kicks off the song with a soft keyboard riff and muffled vocals singing the hook: “You’re giving me nightshade.” This immediately captures the listeners attention, and prepares them for the emotional journey. The track takes off when Madison’s lead vocals kick in, paired with the steady beat. When the chorus begins, there is a moment when the beat is silenced, drawing focus on Madison’s powerful voice. Then, the peak of the chorus explodes, emphasizing the heightened emotions. The entire track is filled with intense feelings of sadness, regret, and anger through the lyrics and production, highlighting Madison’s incredible talent. Madison is an independent pop singer-songwriter from Canberra, Australia. In 2020, she released her debut single, “Indiana”. Later, her sophomore single, “What Did I Do to You”, garnered her the spot as a 2020 International Songwriting Competition Semi-Finalist. Additionally, “Nightshade” earned a spot on New Music Friday AU & NZ, further contributing to her achievements. Her career has taken her all around the world, from Los Angeles to Europe, collaborating with songwriters and producers, including Oliver Lundström. She has spent her time perfecting her sound and finding her voice. Her sound uses a mix of influences from modern artists such as Lady Gaga, Florence + The Machine, and Coldplay, as well as 80s rock and cinematic orchestra. Written By Karlee Smith FOLLOW MADISON:

  • Review: "Follow" - Estella Dawn

    Estella Dawn trades in her traditional upbeat production for a mellow ballad in her latest single, “Follow”. The track is a lovely dedication to a significant other, highlighting the respect and loyalty the couple has for one another. The pure love radiates through the track, putting a smile on the listener’s face and warming their hearts. It resembles the first dance song a newlywed couple would be found dancing to at their wedding. In the chorus, Dawn sings, “Wherever you go// Just know I will follow// I see how you shine like the moon lights a hollow// Go wherever you want to// Baby, take the risk ‘cause you know I got you.” Dawn reassures her partner that she will support them and their dreams, and no matter what, she will always be there for them. This beautiful track resonates with those that are deeply in love with their partner, and know that their love is reciprocated. “Follow” is an effortlessly beautiful ballad full of warmth and adoration that fills the listener with joy and comfort. “Follow” is a calming ballad that takes a hold of the listener’s heart and makes them feel at peace. The entire production guides them on an ethereal journey that feels like being on Cloud Nine. The song begins with the soothing sounds of an acoustic guitar being lightly strummed. Then, the track introduces Dawn’s angelic vocals, further enhancing the heavenly atmosphere of the song. In the chorus, the guitar is paired with the soft drums and simple sound effects, creating a magical song about love and trust. “Follow” is an enchanting track that fully engulfs the listener and has the perfect ingredients for the next big wedding song. Estella Dawn is a singer, songwriter, producer, and multi-instrumentalist from New Zealand, now based in the United States. Her music does not stick to one style, but rather mixes the sounds of multiple different genres to create her own. In 2018, she made her debut with her first single, “Feet". She released several singles leading up to the onset of the global pandemic. During quarantine, she took the time to hone in on her sound and capture her true essence within her music. That year she released 10 original singles every six weeks, defining her impeccable ability to keep audiences engaged with anticipation of her next masterpiece. Since then, she has released several more singles and Dawn continues to release music that reels in thousands of listeners. Written By Karlee Smith FOLLOW ESTELLA:

  • Review: "flowers" - joan

    joan’s latest release is a nostalgic track about growing apart from the ones you once loved, and reminiscing on the times spent together. “flowers” was the last song written for the duo’s upcoming album, and instantly became one of their favorites due to the emotional topic. The track explores the feelings that come with growing up and moving on in life. The sentimental lyrics take the listener on a trip down memory lane, allowing them to remember the good times they had with old friends. In the chorus, they sing, “Things change and that’s just life// And sometimes there’s no goodbye// If there’s still an open door// Why don’t we talk anymore?” These lyrics reveal the heartbreaking reality that friendships do not always end on bad terms, but instead two people simply just grow apart. And sometimes, this hurts even more. In “flowers”, joan uses this idea to remind listeners to cherish their loved ones, because one day they may just ask themselves: “why don’t we talk anymore?” “flowers” is a whimsical track that takes a variation of sounds from different genres and blends them together to make a dreamy pop song. It begins with an angelic violin intro that draws the listener in with the soft melody. Once the alluring vocals begin, a keyboard takes the place of the violin, switching up the production. In the second half of the verse, the drums are introduced, revealing the staggered approach of the production. In the chorus, the violin returns and the bass is introduced, which continues for the remainder of the track. The guitar and the keyboard play rhythm, melding together to become a uniformed pair in the chorus. Throughout the track, many instruments had multiple roles. For example, the keyboard played the intro riff, but later the guitar led the transition riff into the second verse. “flowers” is a skillfully written and composed track that showcases joan’s outstanding talent. joan is an indie-pop duo from Little Rock, Arkansas, consisting of band members, Alan Benjamin Thomas and Steven Rutherford. They made their debut in 2021 with their single, “one more touch”. After releasing several singles, they released their first EP, porta (2018). Since then, they have released four additional EPs: cloudy, partly cloudy, hi, and bye. The duo has over a million monthly listeners across all streaming platforms, with over 120 million streams. Furthermore, they have been the supporting act for several artists such as Jeremy Zucker, COIN, Block Party, and The Aces. In 2023, the duo is set to release their debut full-length album, superglue, and are scheduled for worldwide touring and festivals. Written By Karlee Smith FOLLOW JOAN:

  • Review: "thanks!" - davvn

    davvn’s latest single is an anger-fueled anthem that uses cheeky lyrics and a high energy production to expose a toxic ex-partner. “thanks!” is not about thanking them for all the love they shared, but a sarcastic way to acknowledge all the pain, anger, and sorrow they have caused. The words carry a heavy amount of resentment for the toxic person that treated them terribly. Through the use of detailed imagery and vulnerable lyrics, the band exposes this behavior. In the chorus, band member, McCall, sings, “Thanks for acting like it’s charity to even want me// Never gave compliments// Just hits to my confidence.” These words cut like knives, exemplifying the full extent of the damage done. However, McCall flips the script when she finishes up the chorus with, “So thanks for making breaking up feel so easy.” Although this person played games with her mind, it opened her eyes to just how awful they were—making leaving them easier than she had thought was possible. “thanks!” is an infectious track that acts as a cathartic release for both the band and listeners. “thanks!” is a pop-punk masterpiece that wastes no time in kicking it into high-gear. The track begins with McCall’s muffled vocals singing two lines from the chorus paired with an electric guitar. At the end of the second line, the track switches to the verse with the vocals unmuted. The steady beat in the verse pulls focus into McCall’s gorgeous vocals and the clever lyrics. The verse has synth sound effects that are reminiscent of 80s/90s pop, showcasing davvn’s famous genre blending. Then, the chorus returns with the full production of guitars and drums, continuing the angsty pop-punk genre that McCall was born to sing. Throughout the track, the listener can hear the anger in her voice and the passion from the band. “thanks!” is another outstanding addition to davvn’s discography that further cements their future as the next big pop-punk band. davvn, pronounced “dawn”, is a pop-punk duo consisting of members, McCall and Mike. In 2018, they made their debut with their Sleeping Lion collaboration, “Felt Something”. The following year, they released another collaboration “faded on you” featuring PNK FME. About a month later, they released their first solo project, “:butterflies:”. Since then, they have released several more infectious tracks. The duo is known for mixing different elements from dreamy pop, electronic pop, R&B, and rock to create a genre-blending sound that stuns listeners. Written By Karlee Smith FOLLOW DAVVN:

  • Review: "Daydreaming" - noelle x Virginia To Vegas

    After years of anticipation, fans have finally received the collaboration they have been waiting for. noelle and Virginia To Vegas have teamed up in their latest single, “Daydreaming”. The track is a dreamy pop single about falling deeply in love with someone and spending every moment thinking about them. The two artists wrote the song together after noelle came up with the melody over the summer. In the first verse, noelle kicks off the track singing, “You’ve been on my mind// You’ve been driving me crazy// I can’t even sleep because I’ve been thinking ‘bout you lately.” These lyrics immediately introduce the listener to the focus of the entire song—that she is “daydreaming” about the one she loves. The infectious track produces nostalgic emotions in the listener and evokes feelings of admiration for their own partner. “Daydreaming” is composed of an ethereal pop melody that takes a hold of the listener’s mind and transports them to another world. The track opens with a synth keyboard riff that introduces the listener to the whimsical production. Then, noelle’s angelic vocals begin, leading the soothing melody. As the pre-chorus starts, the listener can slowly feel the build-up before the beat drops leading to the chorus. The synth production paired with the beats in the chorus create an otherworldly effect that consumes the listeners. In the second verse, Virginia To Vegas leads the song with his compelling vocals, meeting up with noelle’s at the end of the verse, effortlessly blending the two voices to create a heavenly effect. “Daydreaming” is the perfect single, proving that the two artists were destined to collaborate. noelle is a Canadian singer-songwriter. She has been singing from a very young age and grew up in a family that exposed her to a vast range of music. She began posting covers on YouTube, which earned her a following of 94.2K subscribers. This viral success helped her stand out to Wax Records, ultimately landing her a record deal. Virginia To Vegas is an American-born Canadian singer, songwriter, and producer. In 2014, he released his first single, “We Are Stars”, which was later included in his debut EP, Vol. I. He has over 700 million streams globally, as well as nearly 2 million monthly listeners on Spotify alone. Written By Karlee Smith FOLLOW NOELLE: FOLLOW VIRGINIA TO VEGAS:

  • Review: "FTS (Sick of This)" - L E A x Bemo Rouge

    L E A has joined forces with alternative emo artist, Bemo Rouge, to create an infectious new single. “FTS (Sick of This)” describes the difficulties of navigating life, specifically as an artist breaking into the alternative music scene. L E A expresses the feelings of wanting to prove yourself to those who have always doubted you, while fighting an internal battle, financially and mentally. However, the song contains uplifting lyrics about rejecting the negativity and believing in yourself. The most outstanding lyric is found in the pre-chorus, when they sing, “I know you saw me last year// Now I’m finally here// Watch me fucking make it.” Despite all the downsides that the industry has to offer, L E A has recognized that she has made a name for herself. Although these struggles still impact her, and she still feels the stress and anxiety of it all, she is proud of how far she has grown as an artist. These three simple lines stand out against the aggressive lyrics in the song because listeners that relate to these words are given hope for the future. “FTS (Sick of This)” is an angsty track that blends the sounds of multiple genres to create the unique production. The song kicks off with L E A singing the chorus paired with an acoustic guitar for the first four measures, setting the stage for the track. Then, the song takes an unexpected turn by using an intense electric guitar transition that is reminiscent of 1990s punk. This transition leads into the verse, where the drums are introduced, complimenting the fast-paced guitar. Throughout the track, sound effects are used to assist the drums, aiding in the unique genre blend. As the song progresses, Bemo Rouge’s vocals are heard backing up L E A’s powerful voice, further boosting the defiant mood. In the bridge, his vocals take the driver’s seat, filled with a fiery passion that leads the point home. The production combined with the fiery vocals influence the listener to release their own anger and frustrations. “FTS (Sick of This)” takes the unique talents of both artists and fuses them together to create an unforgettable collaboration. L E A is a singer-songwriter from Point Pleasant, New Jersey, now based in Los Angeles. L E A’s music blends “the boldness of punk” with the “beachiness of pop” to create the alternative pop-punk sound found in her songs. She draws inspiration from prominent acts of the genre, such as Mayday Parade, Charlotte Sands, Secondhand Serenade, and Magnolia Park. She released her debut single, “Stay Right” in 2016. Since then, she has released one EP and several standalone singles, including a handful of collaborations. Bemo Rouge is a singer, songwriter, producer, and the DJ host for Emo Nite New Orleans. In 2021, he released his first single, “Catch My Breath”, featuring fellow artist, Razzle. Since then, he has released 10 additional singles, including several more collaborations. Over this past year, he has gained a large following and developed a loyal fanbase. His music is a blend of alternative emo, pop punk, and hip-hop, creating a unique sound that defines his creative artistry. Written By Karlee Smith FOLLOW L E A: FOLLOW BEMO ROUGE:

  • Review: "Happy Birthday!" - Stalking Gia

    Stalking Gia has released yet another track that highlights her outstanding songwriting and compelling vocals. “Happy Birthday!” is a “very bitter birthday anthem to sing to your favorite toxic situation-ship.” The song consists of sarcastic lyrics “celebrating” the negative person in your life, whether they are a former partner or best friend. Stalking Gia begins the track with the hook, “Happy Birthday, everybody loves you!” before kicking off the first verse, which contains lyrics revealing that she definitely does not agree with “everyone.” After describing her emotional pain, she sings, “Wish I could wish you away,” to further express her heartache, while upholding the birthday theme. Throughout the track, every lyric is saturated in sarcasm and bitterness, enhancing the cheeky storytelling. “Happy Birthday!” is an impressive addition to Stalking Gia’s discography, reminding fans why they fell in love with her from the beginning. “Happy Birthday” is a versatile track that blends the sounds of alternative pop and soft rock to create a gorgeous song that sticks with listeners. The track begins with a subtle violin sound that is met with Stalking Gia’s heavenly vocals singing the hook. Once this is finished, the first verse begins by transitioning to a steady piano melody. Halfway through the verse, the violin returns, effortlessly guiding the listener through the clever lyrics. When the chorus hits, the production intensifies with the addition of the drums and synth notes. The second verse takes a unique turn, shifting from a piano-led production to a guitar-led production. When the verse ends, the guitar is no longer present and the original production returns. The remainder of the track maintains a high-energy atmosphere, highlighting the detailed storytelling. The song then closes with an outro that reintroduces the simple production found at the beginning, ending the track with the delicate melody. “Happy Birthday!” is an enchanting track that uses cheeky lyrics and a mesmerizing production to captivate the audience. Stalking Gia is an alt-pop singer-songwriter based in New York City. In 2016, she released her debut single, “Second Nature”, kickstarting her viral fame and gaining her over 13.2 million streams on Spotify for that track alone. In 2017, fellow artist, blackbear, sampled the platinum single on his track, “Wish U The Best”. The two artists would later tour together and collaborate for their track, “Miracles”, which has earned over 4.7 million streams and was added to New Music Friday playlists. Stalking Gia has released several singles, including a few tracks under Epic Records. Since then, she has returned to releasing music independently, marking massive success and continuing to gain a loyal fan base. Written By Karlee Skipper FOLLOW STALKING GIA:

  • Review: "Not A Problem" - Estella Dawn

    Estella Dawn has the natural talent to convey honest vulnerability in her songwriting while maintaining a sense of confidence that radiates throughout the track. With “Not A Problem”, Dawn exemplifies this reflective storytelling by expressing the somber thoughts that wrestle in her mind. A major theme within the track is not wanting to admit weakness, but acknowledging that giving in to ignorance may lead you down the wrong path. In the second verse, Dawn paints this idea beautifully with the lines, “I could rewrite the darkness that came through my family line// But the truth is I find comfort with the shadows in the room// And the monster in the corner ain’t as scary when it’s you.” Dawn admits that her family history has a grim foundation, alluding to the lyrics in the pre-chorus: “Think I’m becoming my father// Got a little too drunk.” There are things from her family that she recognizes as dark. There is a piece of her that wants to end this harmful pattern, and change her future. However, she confesses that fighting with her genetic predispositions may not be what she truly wants, and she seeks the familiarity of her troubled past. In the end, she recognizes that these demons she is facing now are not of her familial past, but of her current self that does not want to admit her flaws. Furthermore, Dawn realizing that the “monster” is not an outside force commanding her to be afraid, but rather a personification of her own fears, provides comfort in the darkness. “Not A Problem” is an incredible addition to Dawn’s discography, providing fans with yet another relatable track to cling to during life’s hardships. True to Estella Dawn’s unique artistry, “Not A Problem” is an ethereal track with a flawless production and heavenly vocals. The listener is instantly captivated by the angelic piano and the soft synth notes at the beginning of the track. When the pre-chorus begins, the production shifts to an infectious pop melody with simple synth beats that adds focus to the vulnerable lyrics. Then at the chorus, the production completely unfolds with the steady drums and the angelic vocal harmonies. With Dawn’s exceptional voice, she effortlessly guides the listener through her emotional journey. In the last line of the second verse, she uses her lower vocal register that sends chills throughout the listener’s body, bringing emphasis to the meaningful lyrics. Then in the bridge, she switches up to enchanting falsettos that take the listener by pleasant surprise. Her vocal switch further enhances the emotional element of the track, demonstrating Dawn’s passion for the words she is singing. Every aspect of the production is remarkable, but Dawn’s unique and powerful vocals drives the point home. Her vocal range and distinctive voice are one of the many reasons fans fall in love with her, and her honest songwriting and catchy production are only the icing on the cake. “Not A Problem” will remain in the hearts of listeners and leave them craving for more outstanding releases from Dawn. Estella Dawn is a singer, songwriter, producer, and multi-instrumentalist from New Zealand, now based in California. Her music does not stick to one style, but rather mixes the sounds of multiple different genres to create her own. In 2018, she made her debut with her first single, “Feet". She released several singles leading up to the onset of the global pandemic. During quarantine, she took the time to hone in on her sound and capture her true essence within her music. That year she released 10 original singles every six weeks, defining her impeccable ability to keep audiences engaged with anticipation of her next masterpiece. Since then, Dawn has released several more incredible singles and she continues to release music that reels in thousands of listeners. Written By Karlee Skipper FOLLOW ESTELLA:

  • Review: "Sorry Excuse" - Ann Gray

    Ann Gray’s poetic storytelling tugs on the heartstrings of listeners in her latest single, “Sorry Excuse”. She was inspired to write the track after reading the classic novel, Wuthering Heights by Emily Bronte, for school. She was fascinated with the concept that the main character could see their love interest in “everywhere and in everything,” including “things as small as individual blades of grass.” In the first verse, she sings, “In every single parking lot// I think I see the silhouette of you// In every grocery line I hear your// Pre-planned pick-up lines.” She continues in both verses to describe the mundane situations that remind her of her partner. Furthermore, Gray uses imagery throughout the track to paint a vivid picture of a toxic relationship where the narrator yearns for their former partner, but recognizes that they are no good for them. Many of these lyrics provide dark depictions of this toxic person that they cannot let go of, bringing tears to listeners’ eyes. In the bridge, Gray sings, “Remember New Years Eve// The alcohol on your breath// Started yelling at me in front of all my friends// Excuse you, I made excuses for you.” The vulnerability in these lines reveal the extent of the emotional abuse the narrator endured, shattering the hearts of listeners. The track provides an overwhelming sense of comfort for those that resonate with the grim lyrics, reminding them that they are not alone in these emotions. Gray’s imaginative storytelling in “Sorry Excuse” further proves her impressive songwriting, comparable to the likes of veterans in the industry. “Sorry Excuse” is a melancholy ballad consisting of vulnerable lyrics and an ethereal production. The track starts with the acoustic guitar setting the tone of the song. Gray utilizes fingerpicking to create a soothing melody before she kicks off the verse with the heartbreaking lyrics. Throughout the song, the listener is blown away by her harmonizing vocals that enhance the heavenly atmosphere of the track. The combination of the emotional storytelling and Gray’s airy voice creates a tear-jerking effect on the listener and sends chills throughout their entire body. “Sorry Excuse” is the epitome of a sad-girl indie-folk ballad, perfect for rainy winter days. Gray solidifies her impeccable artistry with the track, creating a song that will be on everyone’s favorite playlists. Ann Gray is a 16-year-old singer-songwriter from Norfolk, Virginia. When the global pandemic hit, she turned to social media to share her music by posting on Instagram, doing livestreams, and performing for virtual music festivals and open mics. In July 2021, she released her debut EP, Foolish, which consisted of 6 original tracks. After releasing several more singles, Gray took a break from releasing solo music, and released an EP with her cousin, Viv Golpira, under band name Times New Roman. The EP, entitled Calibri, consisted of 5 original tracks written by the duo. Currently, Gray is promoting her solo music with “Sorry Excuse” being her latest single from her upcoming album, The Half Of It, set for release on January 27th. Written By Karlee Skipper FOLLOW ANN:

  • Review: "You Only Love Me" - Rita Ora

    Rita Ora has returned with her latest single, introducing her next era of music. “You Only Love Me” is a new level of vulnerability that she has never touched on in previous releases. She wrote the song during the beginning stages of her relationship with her husband. The song discusses the delicate period in a relationship when you love someone, but are unsure if they reciprocate those feelings. The pre-chorus introduces her fears with the lyrics, “I try, I try, and I try// To tell myself it’s alright// ‘Cause I’m terrified.” She then immediately follows up in the chorus with the hook: “You only love me when// The whiskey’s pouring// Four in the morning” and “You only love me when the// Night is over// No one to hold ya.” These lyrics reveal the anxiety-filled thoughts that run through her mind; That the one she loves only wants her when they are drunk and lonely, and not because they truly love and cherish her. This is a feeling that many listeners can relate to in their own life, and this song may be a sense of comfort for them. They see that Ora has gone through this complex time in a relationship, yet she still made it to the other side happily married to her partner. “You Only Love Me” is a remarkable track that perfectly encapsulates these vulnerable thoughts through a high-energy electric-pop production. “You Only Love Me” is an energetic track that effortlessly compels the audience to dance along to the infectious beat. Before the music begins, the track starts with a unique touch that only Ora can provide: a voice memo from legendary film director, Taika Waititi. As her husband, he provides his charming New Zealand accent to introduce the track saying, “Rita, it’s me.” From there, the production kicks off and Ora’s angelic vocals begin. The listener is led through the verse by a subtle piano and simple beats. This perfectly leads into the pre-chorus, where the music begins to intensify. The synth production hypes the listener up, making them anticipate the beat drop at the end of the chorus. The remainder of the track continues with a high-energy that is only found in the best electronic dance songs. The corresponding video is the perfect complement to the unforgettable track. The video is complete with a star-studded cast and intriguing visuals, including cameos from icons such as Lindsay Lohan and Kristen Stewart. Ora is found surrounded by her “badmaids”, while she is the star of the show as the stunning bride, making the video one to remember. “You Only Love Me” is a lively track that highlights Ora’s mesmerizing vocals while navigating her vulnerable emotions. Rita Ora is one of the UK’s most successful modern pop singer-songwriters. Her debut album, Ora, was released in 2012. This album topped the UK charts and included two #1 UK singles. She has a total of 4 #1 UK singles and holds the record for the most Top 10 singles for a British female artist in the history of the UK. She was recently awarded the “Entertainer Award” at the 2022 UK Glamour Women of the Year awards. She has collaborations with artists such as Cardi B, Bebe Rexha, Charli XCX, Kygo, and Iggy Azalea. She has also dabbled in acting, taking on projects such as Fast & Furious 6, the Fifty Shades of Grey trilogy, and Southpaw. She has made a huge name for herself in both the music and film industries. “You Only Love Me” is the first snippet of her highly anticipated upcoming album, set for a summer 2023 release. Written By Karlee Skipper FOLLOW RITA:

  • Review: "1-800-broke-my-heart" - Courtney Paige Nelson

    Courtney Paige Nelson’s latest single is a vulnerable track that tells her side of a heart-shattering break-up. “1-800-broke-my-heart” was written after Nelson discovered her ex-boyfriend had been cheating on her with his coworker. The track is a sense of closure for her, something she never truly got after the relationship ended. Nelson wears her heart out on her sleeve and holds nothing back through the candid lyrics. She does not hide behind metaphors and insinuations, but instead rightfully airs out her ex-partner’s dirty laundry. She begins hinting in the chorus, singing: “It was all over your face// Under her within a day// Played your joker card// But your bluff fell hard.” Then in the second verse, she drops the bomb: “I’d call that slightly evil, heartless, maybe a narcissist// Pre-mediated cheating with a girl that I fucking met.” She lays it all out on the table with that line, exposing his infidelity. The witty track proves to be a cathartic release for not only Nelson, but listeners who resonate with the clever lyrics. “1-800-broke-my-heart” is the perfect addition to every angsty break-up playlist and an excellent example of Nelson’s creative songwriting. “1-800-broke-my-heart” is an ingenious track that utilizes a memorable production to further enhance the emotional atmosphere of the song. Before the music begins, a busy tone followed by a muffled voicemail message can be heard, introducing the listener to the track. Halfway through the message, the steady beat begins, transitioning to the verse. As Nelson’s captivating vocals kick off the track, the synth melody complements the beat. Once the chorus starts, the song explodes into the full production that compels the listener to dance along to the melody and belt out the fiery lyrics. Throughout the second verse, synth sound effects can be heard, providing a unique element to the song. As the listener is guided through the track, they can feel the passion behind Nelson’s voice and the anger she feels toward her former partner. Brilliantly, she ends the track with a giggle and a simple “fuck you,” signifying how she has chosen to let go of the hurt and move on to happier matters. Nelson has created a dynamic anthem that will have listeners playing it on repeat. Courtney Paige Nelson is a singer-songwriter from San Francisco, now based in Los Angeles. She got her start as a contestant on America’s Next Top Model Season 23 where she earned 4th place. This experience set the foundation for her true passion: singing and songwriting. Nelson has written poetry since she was a child, and naturally felt compelled to become a musician. In 2020, she released her first single, “Saved Myself”. The following year she released her debut EP, Fever Dream. Since then, she has released a handful of singles, including collaborations and remixes. She is also a credited songwriter for fellow artists and continues to make a name for herself within the music industry. Written By Karlee Skipper FOLLOW COURTNEY:

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