Izzy Potter's new single "Wrong Time" spotlights her ability to express her emotions through lyrics. She draws stylistic comparisons to artists like Noah Kahan, Taylor Swift, and Lizzy McAlpine. Izzy captures the complications of relationships and love. In "Wrong Time," Izzy reflects on a love that never seemed to align due to timing and circumstances. The lyrics paint a picture of missed opportunities and unspoken feelings as Izzy navigates the line between friendship and something more. The honesty of her lyrics and the delivery of the vocals hold all the longing that comes with unrequited love. The production of the song really amplifies the intensity of Izzys emotions. The chorus of the song highlights the bittersweet view of a love that could never quite come to life. The line “know we’re tiptoeing the line between more than friends” captures the confusion Izzy feels on where the relationship stands. The reoccurring message of wrong time is where the blame of why the connection was missed. The chorus ends on “Maybe we’ll find, everything falls in line, so let’s say it’s the wrong time.” She feels hopeful yet resigned for what could have been and what could be. The song concludes to accepting that this is just the way it will be. Right person, wrong time. Izzy Potter has been songwriting since she was twelve years old. She is a brilliant lyricist taking raw emotions and telling a story. “Wrong Time” is only one song out of her incredible discography. She has been releasing music since 2021. Izzy has a gift and I’m anticipating a lot of incredible releases. She is based in Nashville, Tennessee and does perform live in the area. Check out her socials and her website down below if you are interest in hearing Izzy live and experiencing her music in a new way. Written By Emylee Herring FOLLOW IZZY POTTER: Instagram | Spotify | TikTok | Facebook | YouTube | Website

There’s something special about the color green that gives me so much joy. It’s arguably the best color, and as philine states, “It’s always around me / Even inside me.” “green” is the latest single by singer and songwriter philine, and is such a true representation about the clarity and balance the color green can bring someone. The color green actually holds more meaning than you may think! It’s said that green symbolizes the feeling of renewal and self-understanding. And based on the emotional lyrics philine wrote, she was deeply inspired and impacted b​​y the shade. And the story of how she wrote the song I think is incredible. She stood in the middle of a corn field, feeling so closely connected with the world around her, and left with a deeper respect and appreciation for it. That  is the kind of inspiration I adore in music. philine has such an incredibly soft and emotion-filled voice. I really couldn’t imagine anyone else singing or writing this song. I really love when she utilizes her head voice when she sings. She tends to get a little quiet to reach the higher notes, but then she comes back with her incredible chest voice. Everything about the way philine sings and writes music is awe-inspiring. I also have to appreciate the instrumentals in this song. There aren’t any insane drum solos, no dramatic guitar riffs… it’s simple, beautiful, and lets the listeners fully appreciate philine’s jaw-dropping vocal and lyrical skills. philine is a singer and songwriter from the Netherlands who began releasing music back in 2020, with her debut single “gone” reaching over 33,000 streams to this day. Her love for music first sprouted when she was 11-years-old, inspired by her mother’s passion for it. She would go on to write her own songs from a young age, participating in singing competitions, and working in studios with her friends at a conservatory in Rotterdam. Following the release of “gone”, philine released a number of popular hits, including “needy as hell”, which currently sits at just over 225,000 streams on Spotify alone. Another one of her songs that got fans hooked as a collaboration song with fellow musician, Melle. The song, “Old Summers”, has well over 600,000 hits at this point, and is a fantastic example of philine’s skills. Overall, I truly enjoyed “green”, and have already added it to my playlists. Go stream “green” right now!! Written By Isabel Mays FOLLOW PHILINE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Junryl had a challenge set out for him: how to follow up his splendid debut album, Dreams . The 2022 project practically bursted with energy, leveling up on all the qualities that made his 2020 EP similarly notable. A sparkling dance-pop gem like "fool for you" made the insecurity and self-doubt of a flailing crush sound blissfully fun. On his first single since Dreams , however, Junryl leans further into the mid-tempo blues of ">friend<lover." The LA-based singer/songwriter's latest single, "damaged," is a dynamic and electronic power ballad with raw, confessional lyricism. The sound is noticeably sharper, clearer, and more deftly mixed — a testament to his continuous growth as an artist. Gorgeous layers of vocals expel raw feeling, reinforcing the strength of Junryl's emotionally articulate lyricism. The immaculate production creates tidal waves out of subtle nuances. Grounded by a simple chord progression, the piano plays a dynamic role in forming the sonic backbone. Reverse pre-delay, reverb, and phasers are combined to transform straightforward chord playing into a unique and stunning instrumental addition. But "damaged" is far from a pure piano ballad. The layered background vocals behave almost like atmospheric synths, perfectly mixed and mastered with the instrumental. "I guess I never learn / From all the bridges that I burned," he sings on the arresting chorus. There's no doubt that Junryl is returning as an artist both changed and elevated since we last heard from him. Prior to beginning his professional career in music, Junryl achieved incredible success as a hair stylist, winning Newcomer Stylist of the Year in 2017 from the North American Hair Styling awards. A passion for music, however, always ran in his blood. Honing his songwriting since the age of 16, Junryl has captured audiences through his sincerity, vulnerability, and craft. With an EP and an album under his belt, the LA-based artist has laid a polished and fascinating foundation for an ever-growing music career. His catalogue already features a versatile range of sound: from the pop-punk blitz of "fuck up the friendship" to the sugary, R&B-infused pop of "Love Drug." His latest single, "damaged," is the singer/songwriter's first since the release of his debut album in 2022. Written By Andy M. FOLLOW Junryl: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Anthemic, catchy, and energetic, “FBI” by Drew Now is the new acronym for the red flag in your life. Standing for Fuck Boy Insecurity, “FBI” is your new motivation to cut all contact with that guy all your friends hate. Drew calls attention to alarming behavior with the opening lyrics of the song “That boy is in the F.B.I. if he’s checking your phone but won’t say where he goes; when the red flags fly, better run for your life or you’ll be doing time”. Every part of this song is as much a warning as it is an anthem for putting your foot down when these red flag behaviors rear their head. From the first verse when Drew sings “I’m on the defensive, I came to my senses,” and the second verse where she sings “He’ll say you’re special, we’re all just the same, labeled in texts as ‘bitch from Monday’, he’s never gonna learn your name,” Drew makes it clear that she is no longer disillusioned by the sweet talking F boy, and neither should you.                “FBI” is energetic and moody with the fluctuating pace of the guitar and drums. Each verse of the song has a different energy pace, gradually building in tone and then coming back down to reset the cycle. The reggae-themed song is reminiscent of the 90s hit TV series “Cops”. The chorus is structured around the “Bad Boys, Bad Boys” verse of the TV series and provides a fresh play on the acronym FBI. Drew’s voice is strong and clear even when her wispy vocals take the spotlight. Her voice demands attention which plays well with the subject matter of the song. Drew takes on the tone of a woman who not only understands from her own experience but also as a woman warning others. The song has beautiful contrasting tones between the pounding bass and Drew’s melodic voice.   Ontario-raised, Drew Now grew up on a farm on the shores of Lake Huron. Formerly known as Leah Mathies, she was a contestant on America’s Got Talent Season 13, charming judges like Simon Cowell with her beautiful voice and original songs. Despite her 2018 television debut on America’s Got Talent, she has been making music in Nashville, TN since 2013 when she released her first EP Mesmerized at 16 years old. The Canadian-born singer has since moved down to Tennessee, spending most of her time working with Grammy award-winning artists and producers alike to make catchy, anthemic, music that speaks to the vulnerabilities we face in life. A curious inquisitive soul, Drew Now has been asking the hard questions since her youth, stating that church and her mother and sister are the inspirational catalyst that bloomed her love for music and songwriting. She channels this inquisitive and vulnerable nature into her music to create infectious pop anthems. You can listen to more by Drew Now at the links below. Written By Joselyn Jimenez FOLLOW DREW NOW: Instagram | Spotify  | Website  | Facebook  | YouTube

Lo Lauren’s first release of the year is “No Good in Goodbye”, a high-energy breakup track about the complexities of a relationship's end, and attempting to move on from it while the ache still lingers. Heartbreak is always a rough feeling, and surely there cannot be any kind of “good” in a “goodbye” from someone you loved with all your heart; the song is a reminder that, no matter what, goodbye is always going to hurt. “No Good in Goodbye” highlights these feelings with airy instrumentals and a classic pop sound, creating a dynamic dichotomy between melancholy and catchy hooks. Still, it’s hard to stay sad if the music you’re listening to is as fun as “No Good in Goodbye”. “No Good in Goodbye” is one of those songs with melodramatic lyrics that nevertheless makes you want to dance because the track is just so energetic. The instrumentals are light and bouncy, a rhythmic backbone for the track as you’re treated to Lo Lauren’s melodic vocals that tie the entire soundscape together. My favorite part of the song definitely has to be the lyrics, though– the first line “Two lonely hearts on the road / crashed into each other just for somewhere to go” is such a creative way of describing a relationship, wherein the drive ends up going too far into “forever alone”. “No Good in Goodbye” paints a picture of holding onto a relationship that’s already ended, and, being a breakup anthem, it does this exceptionally well with its songwriting that illustrates the emotional rollercoaster you ride when going through said breakup. “No Good in Goodbye” is just such a fun, upbeat song that draws a compelling line between heartbreak lyrics and cheerful soundscapes. Lo Lauren is a British pop artist whose musical journey began in 2023 with the release of her debut single “Never the One”. Even with only four releases to her name, she already has over 500,000 streams under her belt, and is sure to garner even more. She’s headlined sold-out shows at The Social and Paper Dress Vintage, and was also once described as “Kent’s answer to Katy Perry”; Lo Lauren brings a youthful and fun twist to the British pop world. Additionally, she ended 2023 as one of BBC Radio 1’s “Future Pop’s Class of 2023", which spells great things for 2024. Kickstarting the year off with “No Good in Goodbye”, it’s safe to say that this year will be an amazing one for Lo Lauren’s music– if you enjoyed this track, definitely keep an eye on Lo Lauren for her future releases, such as her forthcoming EP "Wonderlust" which will feature "No Good in Goodbye". Written By Alexa Leung FOLLOW LO LAUREN: Instagram | Spotify | TikTok | Apple Music | YouTube

“Dreamer” is an electropop anthem that explores the complex yet freeing feelings of post-breakup life while still holding on. After a difficult and sudden breakup, what remains is the jumbled emotions that led you to being broken-hearted. Even after spending so long with them, you were completely blindsided and now have to continue living without them. In the coming months, you gain a new sense of independence where you embrace new opportunities and are optimistic of the future. Your ex and the toxic breakup they initiated seem so far in the past now. However, your mind wanders occasionally and you can’t help but imagine what could have been. You waited during lonely nights and sometimes deluded yourself into thinking there was something you could have done differently. But that person you knew only had a facade, and what remains now is your future and what you can embrace about it. Click here to listen to "Dreamer"! “Dreamer” is a synthpop single that integrates standard musical elements with modern ones. One of the key defining aspects early on is the consistent guitar strums. This strumming is soon accompanied by modern ambient elements. Both the vocals and the instrumental are paired with this consistent reverb that slowly builds up during each verse. A standout aspect of this is subtle integration of a low bass that eventually defines the single. The choral instrumental really highlights the defining electropop genre, becoming reminiscent of other EDM subgenres such as house. Every element blends together for an ambient electro experience. ARRIE is a singer-songwriter from Vienna, Austria. He has been interested in creating music for most of his life and created his first song at just eight years old. He has continuously created music in his home with admirable success. The young artist is inspired by music groups such as The Rolling Stones. After creating his first few songs on his own, he officially began his music career by releasing his first single, “Wonderful Life”. He has accumulated a loyal social media following and regularly connects with fans through this. Make sure to follow him on social media and give “Dreamer” a listen! Written By Willow Gray FOLLOW ARRIE: Instagram | Spotify | TikTok

The latest single "Monster" by the ingenious Don Diablo and the creatively vibrant Felix Jaehn does more than reverberate through the speakers—they delve deep into the psyche. ​The lyrics expose a vulnerability that is raw and relatable, illustrating the internal conflicts that shadow our daily lives. They articulate the feelings of being lost in one's thoughts and the struggles with inner demons that all too often go unspoken. Addressing the "monster" within, the song ties a poignant knot with those seeking redemption from their doubts and fears. With scenarios painted in shadow and light, listeners are invited into a sanctuary of self-reflection where the music understands them possibly more than they understand themselves. Here, the narrative of personal battles becomes a collective anthem, ensuring no one dancing to its beat feels alone in their confrontation with darkness. The compelling structure of "Monster" is an intricate web of emotion and energy. Starting with a request for clarity and truth, there's a journey from introspection to revelation. It masterfully captures the essence of battling personal demons through an interplay of gentle beginnings and a groundswell of electronic bravura. The mood is an evocative tapestry of hope and fear, woven with the threads of electronic beats and ethereal synths. The voice that carries the lyrics does so with a stirring and intimate timbre, bringing the confessional nature of the song directly to the heart of the listener. It conjures a spectrum of emotion, with a tension that grips tightly—the kind that comes from acknowledging the darkness yet striving towards the light. A symphony of synthetic sound, "Monster" maps the contours of the human spirit in its striving for peace. In the expanse of today's music, Don Diablo and Felix Jaehn stand as pioneers of their craft, each boasting a rich history of rhythm that touches the soul. Don Diablo, hailing from the Netherlands, is renowned for his distinctive blend of electronic textures and is often hailed as a forward-thinker in electronic music. Felix Jaehn, Germany's pride in the international DJ scene, brings to the table an uncanny ability to produce melodies that resonate on a global scale. Notable accomplishments and a relentless pursuit of evolution have marked their genesis in music. "Monster" emerges as a powerful synthesis of their talents, a track bearing the imprints of Diablo's innovative edge and Jaehn's emotive depth. One can only anticipate what these artists will endeavor next, as with each release, they reshape the contours of not just music but the emotions it evokes. For those of you who are anxious to hear "Monster," you can listen to it now on Spotify in the link down below and you can watch their official lyric video above, if you want to stay up to date on Don Diablo and Felix Jaehn's latest releases, any upcoming tour dates, and just to follow their amazing musical journey you can follow both of them on all their social media platforms in the links down below! Until next time guys! Written By CJ Taylor FOLLOW DON DIABLO : Instagram | Spotify  | TikTok | Facebook  | YouTube FOLLOW FELIX JAEHN : Instagram  | Spotify  | TikTok  | Facebook | YouTube

Diana Omar's new single, "fishbowl", is a mysterious introspective take on how the world sees us from the outside looking in. In the chronically online landscape of the 2020s, avoiding prying eyes on everything we do is nearly impossible. It's even harder for an artist trying to share their craft. Being in the public eye can be daunting. How much do you open up? How much do you let the world see? It can feel like being on display, trapped behind glass, and like, well, being in a fishbowl. The song captures this unsettling feeling with ease. Omar's repeated use of the line, "eyes and ears" throughout the song serves as a reminder that someone is always watching. This is a clever lyrical choice, as it makes listeners acutely aware of the song's message. There is freedom in the words that tell a story but leave listeners the choice to apply it to their own lives. The overall feeling of, "fishbowl" is dark and mysterious. It's catchy to listen to, but also leaves you feeling a little exposed. It's written in the melancholy key of F# minor. This key is synonymous with gloom. The musical feeling combined with the lyrics is eye-opening. It's easy to feel every consequence of publicity at once if you think about it too hard. But I think that's the point. This experience isn't a bad one, but one of introspection and empathy. It's expert songwriting in my opinion, as Omar captures such a difficult-to-describe feeling in both atmosphere and story. The Latin-style guitar throughout provides stylistic flair while the steady drum beat offers energy. Overall, Omar draws a beautiful balance between light and dark, keeping listeners engaged and on the edge of their seats. Diana Omar is a singer-songwriter originally hailing from Maryland, USA. She specializes in deep, emotional music, focusing on self-discovery, love, and personal growth. There is an undeniable amount of care and delicacy in her craft that is reflected in both her music and everyday life. Aside from her musical endeavors, Omar is a student at Yale and a strong advocate for providing STEM opportunities to underrepresented students. She has a passion for diversity and hopes to inspire others to break barriers in the STEM community. In short, Diana Omar is a brilliant, multi-faceted creator with so much potential, and I can't wait to see what she does next. For now, though, you can stream, "fishbowl" on Spotify and all other major streaming platforms. Written By Shelbi Baker FOLLOW DIANA OMAR: Instagram | Spotify | Twitter | SoundCloud | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Lily Williams’ latest single “If I Don’t Like You” is a heartfelt rendition of a character heard and felt many times over, a hopeless romantic.  Hopelessness here, though, comes through not in persistent optimism for the relationship, but in the fact that she is hopeless without romance.  Despite being told from such a classical perspective, the song actually takes on rather modern issues.  She touches on confusion and hurt at the current state of dating, wondering on commitment and how much is too much.  The most prevalent theme of the piece, though, is a lack of identity outside of a relationship.  What is your identity when your most identifiable trait is how you love others? Despite its powerful lyricism, the tone of the instrumentals is independently calm.  Williams’ choice here allows for a sense of acceptance and an implied positive outlook on her shattering confessions.  It’s indie and acoustic, a campfire piece that allows the story to be told as such.  Lily’s voice perfectly suits this genre, effortlessly delicate, with a sensitive touch in each hard hitting line that makes every word feel, even if only slightly, more powerful.  For most of her lyrics, she falls into them and has a flow to her words that adds to the serenity of the song, but when she pauses, giving the sentence space to breathe- these are the lines to listen to, the words that create a shattering silence in the instrumentals as well as the mind of the listener.   Lily Williams is an experienced singer and songwriter, creating music for over a decade across continents.  The artist got her start in London, where she was raised, but quickly branched out traveling between her home city and Norway before eventually moving to L.A. where she’s now based.  Her commute is far from the only example of Lily’s work ethic though, she’s a Berklee graduate as well as a common collaborator with major artists.  She’s been mentored by Emily Warren, Fred Ball, and Sarah Hudson and worked with Euan Allison.  The piece created with Allison, “Lego Bricks” is one that’s maintained popularity since its release, gaining over 4 million streams on Spotify to date.  Stream this, “If I Don’t Like You”, and her other work below. Written By Hailey Schap FOLLOW LILY WILLIAMS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

This song, “New Shapes” by Enilora, is a dreamy, experimental pop song all about how we transform and change throughout our lives. Stemming from heartbreak, this song touches on the changes caused by rediscovering yourself after a breakup, knowing you let yourself “get carried away,” but the song applies to more than just that. It’s the nature of humans to grow as you age and experience more things, and though, as Enilora puts it, sometimes you’re “the mistress of the sadness and the madness in” yourself, you’re also the one pushing yourself to be better. We develop and we learn and we lose friends and find friends and find new relationships and we never stop becoming different versions of ourselves. As this song so aptly puts it, we never stop transforming into “New Shapes.” “New Shapes” is an atmospheric pop song, leaning into the alternative and electro pop genres while really defining a new sound entirely. Starting off with dreamy instrumentals, you’re coaxed into the song, already entranced when Enilora’s intimate and breathy vocals start the first voice. The beat maintains variety in the background the whole time, contributing to the endearing chaos of the song, a chaos that so perfectly encapsulates what this song means. Each rendition of the chorus contributes to the dynamic energy that reaches the peak in the last minute before the end of the song. Enilora hums to bring the song to a close, tying the whole piece together with a smooth, mellow bow. Enilora is a new, groundbreaking singer-songwriter from Norway, living in Copenhagen and making her mark on the Danish music scene. Already having played in festivals such as Reeperbahn, SPOT, and Smukfest, as well as doing headline tours in multiple countries, Enilora has already garnered an impressive amount of fans before even releasing her debut album. Her mix of melancholy electronics, emotional lyrics, and dynamic melodies has contributed to her unique sound, clear from the very first single she released in August of 2021. “New Shapes” is her latest single, released on April 5th of this year, and is a precursor to her first full length album coming soon! Use the links below to listen to more of her music! Written By Morgan Fischer FOLLOW Enilora: Instagram | Spotify  | TikTok  | Facebook  | Website

The music fades in, then comes the melody and finally the lyrics. “Fingerprints still on the wall, proof of problems unresolved.” ANTi immediately immerses the listener right into the thick of this ill-fated relationship. He continues “Getting harder to hide it, when we’re living inside it.” That line in and of itself solidifies the audience’s involvement in this love affair now. We feel as though we’re living inside it. Whatever it is, we don’t know up until this point. ANTi is buttering the audience up for a slippery slope through his mind as he paints this picture for us and then we skidoo into it as if we’re on Blue’s Clues.   “Can’t you see we’re prisoners?” ANTi has the listener locked in on this song, except as a willful prisoner. With this latest single, ANTi gives what needs to be given with an electric pop hook, banging beats, and lyrics that hit you right in the feels. “Rather hurt than be alone.” a sentiment all too many of us share, staying in situations just for the sake of having someone to hold and to hold you. This, of course, never ends well, for either party, really, but we still subject ourselves to it. “We’re coming down like a glass house.”  The relationship, all the building of this “house”, so to speak, is falling down around them and it’s the final straw. "Every fracture shows the pain, reflecting our mistakes." Make no mistake, ANTi came to give us thoughtful lyrics as well as a beat that we can groove to. It's as if the listener doesn't know whether to dance or think about that hot mess of a relationship they found themselves in way back when. Alas, we may just decide to do both.   As far as lead singles, “Glass House” is certainly the way to go. ANTi has come to make a statement and make one he has. If this single is any indication of what’s to come in his upcoming debut album, we’re all ears.   Anthony Rankin is now known as ANTi for all intents and purposes. The son of a drummer, he notes that music has always been at the forefront of his being. He latched onto this love of music at a young age and learned to play many instruments growing up. His musical journey began in his hometown Pittsburgh, Pennsylvania but he moved to Nashville as he found Music City to be the perfect place for the advancement of his career. Prior to his solo endeavor, ANTi’s portfolio boasts many producing credits, as well as work with a wide array of artists. He was one half of the pop duo, The Love Elektrik, and also released features with artists such as SCi-FY, Kate Ryder, and Rachel Philipp. With the talent to do every aspect of the music-making process, ANTi names producers such as Greg Kurstin, Cirkut, and Max Martin as some of his biggest influences. A voting member of The Recording Academy in both the Songwriters & Composers and Producers & Engineers Wings, ANTi has cemented himself as a pivotal member of the musical community. If you don’t know the name, learn it and stream “Glass House” on Spotify. While you’re at it, follow ANTi on all of his socials below and look out for that debut solo album, I know I will be!   Written By Keiunna Thompson FOLLOW ANTi: Instagram | Spotify  | TikTok   | Facebook

The last project from indie-pop band The Collection sought triumph in the end of the world. How to Survive an Ending, the North Carolina group's 2023 EP, was defiant, sharp, and pushed beyond the limits. Later that year, they reset with "Medication," the lead single towards their forthcoming album. Now, the six-member collective have released a fifth single, "The Come Down," ahead of their upcoming album, Little Deaths. With it, the band further cements this new era as one of softness, vulnerability, and protection. It's an alternative view of enduring the traumas of life — one that suits The Collection's folk-pop sound like a glove. "The Come Down" furthers their knack for campfire-lit anthems to broad life experience. While "The Come Down," as with previously released singles, has the bones and heart of folk, it lands squarely in the pop ecosystem. The band's collaboration with producer Jeremy Lutito and engineer Reid Leslie brings the sounds to open spaces. Every instrument is perfectly mixed, layered to blanket frontman David Wimbish's honeyed vocals. "The further out you go, the further to return," he muses over drum rolls and rich bass. It's neither advice nor warning, he simply recalls universal truths from the vantage point of experience. Whether the instrumental dissipates into a minimalist twinkle or bursts into anthemic declaration, "The Come Down" glows with warmth. To rise and fall is an unavoidable part of life. to be there for one another in the low points, however, is a promise one has to make. This year, North Carolina-based band The Collection is preparing to release their first full length album since 2018's Entropy. The forthcoming LP, entitled Little Deaths , follows last year's EP, How To Survive An Ending. Little Deaths is scheduled to release on August 9th. The indie-pop group, founded by Wimbish, has released a total of five singles teasing towards the upcoming project. Prior singles include " The Weather ," " Medication ," " Spark of Hope ," and " Rain It Down ." Where their prior EP was a triumphant message of tenacity and perseverance, Little Deaths will approach fresh themes of vulnerability. The six-member band will support the release of their new album with a US tour this fall. Written By Andy M. FOLLOW The Collection: Instagram | Spotify  | TikTok  | Facebook  | YouTube