"Lubbock," released in collaboration with Caroline Carter, comes as the latest track off of Grace Gardner's upcoming EP Recovery Mile. The intense, indie pop song recalls a sad relationship and aftermath of the breakup. Here, Gardner lets out her pent-up frustration on the unequal dynamic of their relationship. She gave so much of herself to a person that would just discard her in the end. Titled after the city in Texas, the track concludes with Gardner and her former partner coming back to Lubbock, but on different walks of life. With poignant lyricism and production, Gardner shares her story and allows listeners to reflect on their own experiences with bad previous relationships. In "Lubbock," Gardner is angry. She's sad. She's tired. She relays the emotional turmoil of having to parent her partner and the little she got in return for it. Opening up the track with the line "You know better than I do that I couldn't fix you," we are drawn into their experience trying to make it work with someone that would end up not being worth the effort. The guitar-laden track builds into the chorus, where they sing, "A silent protector who waited and listened / A mother, a wife, going broke for the distance." Even when they were losing energy and money, Gardner tried to fulfill all her partner's needs. She gets vulnerable with lyrics like "I cried on the highway, didn't that count for something?" In the end, she learns to love the distance between them. She comes to realize that she is better with the freedom and breakup. "Lubbock" is a masterful creation and a true testament to Gardner's songwriting, vocal, and producer abilities. Grace Gardner is a Texas-born, multi-instrumentalist singer-songwriter, producer, music educator, and arranger. Inspired by 70s women in music like Carole King, Stevie Nicks, and Joni Mitchell and the more contemporary Julien Baker and Lizzy McAlpine, Gardner is setting off to transcend boundaries and craft a unique voice in the music industry. Her sound also takes influence from jazz music and the classic rock that her parents love. Drawing on her experiences in relationships, society, and just life, Gardner dives deep in their lyricism and gets vulnerable with their listeners. If you liked "Lubbock," make sure to check out the rest of their discography and listen to Recovery Mile when it comes out 2/23. Written By SYDNEY GRAY FOLLOW GRACE GARDNER: Instagram | Spotify | TikTok  | YouTube

Singer-songwriter LIZZART released her debut single, "change you," this past month. The track is a R&B groove. Between the smokey vocal delivery and smooth melodic beat, "change you" is perfect for a late-night drive or a chill party with friends. Yet, the song is not just catchy but also delivers an important message about self-acceptance and what true love means. The title "change you" references the idea of making yourself someone you are not to impress others. The lyrics show LIZZART speaking to the person she is with to tell them that she never wants them to change for her and vice versa. The message is such a positive one to reinforce: a strong relationship always means being yourself 100% of the time, and that love for oneself is just as important as romantic or platonic love for others. One of LIZZART's biggest strengths as an artist is her singing abilities. Her vocals are dynamic and technically astounding. When LIZZART belts "I wouldn't change a thing" in the bridge, the passion and strength in her voice convey the message powerfully. It is simply beautiful to listen to. LIZZART is also an effective songwriter. The concept behind "change you" is an idea we need to hear more of in pop songs, and the way she writes them is perfect in delivering the message. Lines like "You know I wouldn't try to change you (I wouldn't change) / I know you wouldn't wanna change me too (so don't go changing me too, babe)" are great for singing along to. "change you" acts as a reminder to the listener that you are enough, and the right person for you will recognize this. LIZZART is an exciting up-and-coming musician with a strong artistic vision. As her debut, "change you" is currently the only single available to stream. However, plans for an EP featuring more music are well underway, with a release set for the near future. The creative output for the "change you" music video was a joint effort from LIZZART, Grammy Award-winning filmmaker Arturo Stable, Grammy-nominated producer Jake Carmona, and famed videographer Adrian Leal---and the results show. It is a stunning video with a clear artistic voice. Between her lyrical capabilities and established aesthetic, LIZZART's debut proves that her future work is something to watch out for. "change you" can be listened to on all streaming platforms now. Written By Lauren Nolan FOLLOW LIZZART: Instagram | Spotify | TikTok | Soundcloud | YouTube | Website *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Here’s a story about a date gone wrong that wasn’t funny in the moment, but an experience that she can laugh about now. Fleur Rouge uses her latest track, “ God Complex ,” to spill the tea about how chaotic her date went. Fleur’s word choice and use of a punky, electro and fun beat shows us that she's not only poking fun while she looks back at the experience, but turns a crazy story into one that we can have fun with and laugh about with her. The date in question was a guy with a God complex. You know, the self-obsessed ones that think they’re the shit and the world revolves around them? The ones you can’t even go 5 minutes into having a conversation with without being turned off? Now that you know what she’s getting into, brace yourself for the details. I find it hilarious, but accurate how Fleur describes this person as a boy even though he’s grown. This story goes left pretty quickly. She shares that this person was self-obsessed, had a routine conversation, and was living inside of their own head. After being immediately turned off, Fleur tells us how she was “ About to dip the scene ” after calling her Uber. She tries to get it across that she's checked out and isn’t interested in him because she, “ Won’t try for a loser .” But after being full of himself with this God complex and inability to read the room and see that she isn’t into him, Fleur tells him, “ This might be hard for you to believe. You ain’t doin’ it for me. Do I have to spell it out? God! You think you’re so hot. I just think you’re self-obsessed .” At his big age, his dating life isn’t going to go far if he thinks being arrogant is going to make a girl's heart skip a beat. Fleur Rouge is an English and French electro-pop singer and songwriter based in Manchester. Her first single “ Growing Pains ” was introduced in 2020. It was featured on Spotify’s New Pop UK playlist and she has been supported by BBC Introducing Manchester . Since then, she’s released numerous songs, with her most streamed song being “ Vices ,” which surpassed 40,000 streams. One of her songs, “ Cold Feet ,” is the first track out that is on her upcoming EP, “ What Makes U Think I Care? ” Keep up with Fleur’s journey by clicking on her social media links below, and listen to “ God Complex ” out now! Written By Sneet Efrem FOLLOW FLEUR ROUGE: Instagram | Spotify  | TikTok  | Facebook | Website

TikTok-viral sensation EMMY has just released “The Saddest Part” off of her first EP “Mouthful”! Despite this EP only being her 4th release, she already has herself a solidified sound and style. This track is all about the disappointing realities of heartbreak with an upbeat take on it. EMMY at the beginning of the song describes how cold it feels once the twin flame burns out. She’s left wondering about even the littlest things, like what the weather is like where he is or if the leaves are changing colors. She feels like she doesn’t know her old partner anymore, but recognizes that it’s exactly what they want. EMMY describes the saddest part of the breakup: she would always let them break her heart. She’d “stand there with open arms and smile” and be simultaneously broken into a thousand pieces. She then reminisces on the good times in the second verse, but now no one could “understand the mess that’s in [her] head”, which is why she’d let them break her heart again. The lyric that immediately struck me was “and I guess that’s what I get/I’m just that kind of friend/I forgive and you forget” because it perfectly describes the disappointment you feel when you want to get back together with someone while also recognizing all their flaws that made the relationship fail. EMMY eventually blames herself in the bridge, saying when they break her heart, she still loves them. “The Saddest Part” is a truly innovative song for it being so early in EMMY’s musical career. The song starts and you are immediately captivated by this unique soundscape filled with arpeggiated synths. This song is filled with synths, yet it doesn’t come off as an electronica track. The verses have more of a moody vibe, with some deep chords lingering at the bottom. However, the vibe picks up with some lighter synths and becomes more of a dance track with a strong beat. It’s very contradictory with the lyrics, but it works very well. However, in the final chorus, the beat is gone and is replaced by a solemn piano, as EMMY faces the reality of her breakup. Disregarding the final chorus, the song reminds me of the production on “Harry’s House” by Harry Styles with the electro-pop vibe. Emmy Hartman, professionally known as EMMY, is a 24-year-old singer from Cleveland, Ohio, but currently resides in Los Angeles. EMMY’s first introduction into the world of social media was in 2017, when she inadvertently went viral as “the girl who filmed her own emotional breakdown” after getting a ticket on her way to a concert. She continued social media from there, and currently has over 2 millions followers on TikTok. After years of recording acapella covers on TikTok, she made her musical debut with “STUPID BIG TEETH” in 2021, which currently boasts over 11 million streams on Spotify alone. “The Saddest Part” is a part of her debut EP “Mouthful”, which is only her fourth music release. Yet, she has garnered massive attention from some of her idols like Billie Eilish, Matty Healy, and Hailey Williams. It’s very clear that EMMY has a true musical talent and it will be very exciting to see how far her music talents will take her. Written By Lauren DiGiovanni FOLLOW EMMY: Instagram | Spotify | TikTok | Twitter | YouTube

Love Me Just a Little is an anthem for all the heartsick romantics out there who long to be loved even for “just a little bit”. John Conlin’s impassioned vocals paint the picture of a lover sick and tired of having his heart broken by a modern-day dating hellscape that frowns upon the concepts of true love and chivalry – embodied by his line “No one wants to slow dance, what happened to romance?” You can’t help but allow yourself to get emotionally invested as you listen to this song, as the track’s raw and infectious energy makes it abundantly clear that Conlin has really put his heart into Love Me Just a Little. John pulls at listeners' heartstrings when he calls out for more affection from his partner, driving the message home as he repeatedly belts out “Just a little bit, love me just a little”. This tune belongs on everyone’s Rainy Day playlist on Spotify, where it should be kept on repeat in heavy rotation, even if only for Just a Little. The initial forty seconds of Love Me Just a Little steadily build into the song’s first chorus, with a short and sweet pre-chorus acting fittingly acting as a nice transition and effectively increasing the energy of the melody. The single’s instrumentation is expertly dominated by synth pads and textures, with drums that are punchy and layered to create a strong rhythm section. With all that being said, the strongest instrument heard throughout Love Me Just a Little is surely John’s intoxicating voice – which crescendos into a beautiful climax at the conclusion of the track. The tune’s titular message repeats with layers of Conlin’s voice paired with female vocals, presumably those of his co-writer Suzie Buist. Overall, the song’s production is groovy and atmospheric, with plenty of layers and movement to keep listeners thoroughly interested. Originally from Toronto, Canada – John Conlin is a hyper-talented singer-songwriter and producer who now resides stateside in sunny southern California, where he has already entrenched himself in the Los Angeles pop music scene. Conlin had a knack for music from a young age, having learned to play the piano as just a four-year-old; later going on to create his own musical compositions, before eventually teaching himself the fine art of production using his adolescent laptop. While he has been a songwriter for close to a decade now, John didn’t start writing professionally until about four years ago. Conlin cites Katy Perry and Max Martin as major influences on his process when it comes to producing pop vocals. You can currently find this young artist performing all around Southern California; so, be sure to catch a show if you find yourself in LA and looking to hear some really good pop music from an ascending talent. Written By Dan Caddigan FOLLOW JOHN CONLIN: Instagram | Spotify | TikTok | Facebook | YouTube | Website

One thing that will always capture my attention is a song I can relate to. And in my opinion, “like i used to” could honestly be an anthem for my life. Savanna Leigh is the artist behind the single, and did a simply fantastic job of translating the song’s message. And what is that message? A loss of innocence as one gets older and has to take on more responsibilities. The lyrics gripped at me, as you hear Leigh singing about how she misses the younger version of herself. “I think I miss myself, yeah, I miss who I was / Before I was somebody that had to be someone” is a fantastic line, and makes for an amazing chorus. Aside from the lyrics, there’s one thing in particular that made this song unique. And that’s how as Leigh continues to sing, you can hear a sense of urgency in her voice. She begins to grow more emotional and inspired as she reminisces about the child she once was. I think this is both a smart and creative move. As this urgency you hear in her voice grows more and more frequent, it allowed me to truly understand how much she missed this version of herself. I imagine she thinks about being a child again often. I know that I for sure do, who wouldn’t want to go back to being young and innocent again? Savanna Leigh is a 23-year-old singer and songwriter from Nashville, and has been releasing music since 2021! However, her start in music began at a much earlier age, when she was born into a family of entertainers, inspiring her to make music as well. Leigh tends to make songs with raw vulnerability, something that I love to look out for in music. She writes about anything and everything that would allow her to pour her heart out. Relationships, heartbreak, her past… “like i used to” was actually released alongside her other new single, “unfamilliar.” And if you were curious, yes, that song is also incredible. But I loved everything about this song, and I urge everyone reading to give it a listen as well! Written By Isabel Mays FOLLOW SAVANNA LEIGH: Instagram | Spotify  | TikTok  | Facebook  | YouTube | Website

Laura Brino has dropped her first single off of her highly-anticipated new album Cactus Moon . The single, titled “Without Me,” touches on people who change your life for the better from the past. Made as a “thank you,” “Without Me” touches on the fact that not everyone will be around forever, asking if the friends Brino is singing to if “they ever think about [her].” Brino wasn’t prepared at the start for the friend to leave but is grateful for the impact the friend had on her life. With the idea of losing contact with someone you love is a powerful idea, and one that Brino executes extremely well throughout the song. This song is perfect for any life transition: going to college, moving away, or simply drifting away from a friend. It’s hard to find songs that encapsulate that feeling of drifting away but still being appreciative of someone who has taught you a lot. That’s what I love about the song, among other things. I also love how it strikes that balance of folk and pop just enough–when creating a song like this it’s easy to go one way or another, but Brino finds the sweet spot of walking down the line of indie and pop. That’s not even mentioning how much I love the production of the song as well–it fits the song perfectly.  Laura Brino is a Maryland-based singer-songwriter. Songs like “Without Me” show off Brino’s love of indie folk, the genre of the majority of her songs. Writing from Annapolis, Maryland, Brino has five albums under her belt. Four are solo albums, and one is from a band with her husband, Lily and the Pearl. Brino has been writing songs since her teens in the ‘90s, leading to 30 years of songwriting experience that shows through her songs. While we wait for Brino to finish up the album Cactus Moon  she has coming out throughout the next year, listeners can hear her discography and fall in love with Laura Brino. Written By Abby Mornhinweg FOLLOW LAURA BRINO: Instagram | Spotify  | YouTube | Website | TIktok

Eleven Point Two’s latest release “Greener” is a classically positive and enticing love song.  Self aware of its own repetitive nature, but uncaring, the piece references well known sayings like the one found in its title “the grass is always greener on the other side” as well as the most well known love story of all time, Romeo and Juliet. There isn’t a reason to modernize these original emotions or demean the value of simple sayings, Eleven Point Two instead puts a modern, pop twist on the love song with an air of optimism.  Every line is sung with care and expressive, raw joy.  These themes also tie back to the original topic of the song, pining after someone, loving from a distance- as is implied by the referenced saying.  Of course it feels dreamy and perfect, he’s staring at this greener grass throughout.   The song begins with a dreamy, distant beat that introduces the perspective of the narrator, pulling the listener into his idealistic view.  As he begins singing, it’s slowly and in simple statements that offer a starting point, introducing the reason for desiring a different life, or different person.  His voice perfectly encapsulates the tone the lyrics express, seamlessly sounding more fulfilled once he begins describing this imagined romance.  The music picks up with this change in voice, sounding indie and upbeat.  Towards the end of the song, his voice becomes an instrument offering powerful background vocals that tie the instrumentals together.  The piece ends on a hopeful note by repeating that romanticized chorus “It’s happily ever after in my head but the grass is greener where you are”. Eleven Point Two is a duo formed by two brothers, Jon and Taylor Siegel.  Originally hailing from Grand Haven, Michigan the two moved to L.A. in 2016 where they would attend Moorpark College together.  At their start, they were writing songs in their garage as merely a hobby, but as it became more they were left having to decide between the path they began with their education and what they had grown to love: creating music.  Thankfully, they decided on the latter and left school to pursue it full time.  In 2019 they released their first album and have since released three singles as well as “Escape Velocity”, their latest album featuring “Greener”.  Stream it below and follow their social media accounts to stay updated. Written By Hailey Schap FOLLOW ELEVEN POINT TWO: Instagram | Spotify   | TikTok  | Facebook  | YouTube | Website

“Trees” explores the complex lessons that can be learned from being on a health recovery journey. Your journey is still long, but you finally feel as though you are on the ride. But the road is twisted and unfamiliar. There is a particular path you gravitate towards but life’s complexities prevent you from embarking on that safe and linear path. Your healing journey is like a complicated and unnerving forest. Part of the long walk, however, is discovering that you can not wholly commit to what you imagined should happen. In some major part, you must relinquish control to the journey itself. Relinquishing control will allow you to discover new feelings and situations. These discoveries are not all good or ideal, rather neutral to allow you to see another way of life out of the difficult life you have led. While you have been knocked off the path you formerly chose and are subject to the new woods, you are now at peace with them despite the unfamiliarity. Click here to listen to "Trees"! “Trees” is an alt pop and pop rock single that embraces calming feelings and tones to accompany the. The instrumentation uses familiar and welcome indie pop beats and shimmery additions. High pitched bell chimes and the calming guitar riffs are reminiscent of past and present indie anthems. The vocals throughout serve as a silky sweet base for everything else to compliment. They remain consistent throughout until the bridge, when the addition of more harmonies intertwine with the ever growing narrative from the lyrics. The ambience presence of the instrumentation also reverberates throughout. These sweetly nostalgic elements make it easy to imagine walking through a forest and swaying among the trees. Laura Holliday is a singer-songwriter, actor, and filmmaker based in Los Angeles. Her primary career is through her short films and sketches. She received her BFA in film production from the Art Center College of Design. She has written and directed sketches and other content for Comedy Central Digital and Funny or Die. She pushes for a more equitable and inclusive industry, especially for industry creatives with chronically ill and disabled creatives. Her career expands into music, and she has released a number of singles in the past few years. Make sure to follow her on social media and give “Trees” a listen! Written By Willow Gray FOLLOW LAURA HOLLIDAY: Instagram | Spotify

The latest single from the UK-based band, Only The Poets, is an immediate blast of shimmering wind. Combining their alt-pop style with fluorescent synths and dancefloor groove, "One More Night" is an arena-filling ode to the nights that felt endless and euphoric. Frontman Tommy Longhurst delivers the chorus with a show-stopping howl, bringing his characteristic rasp to its limits. The instrumentation reverberates into a massive wall of noise, all energized by the dance-pop drum machine. The pure energy bolstering the four-piece's kinetic sound demonstrates why they've become one of the biggest emerging live acts in the UK. "One More Night" recreates the rush of past, hedonistic nights with such authenticity, it becomes a celebration of unforgettable moments. The reality, as Only The Poets subtly suggest, is that these times gone-by have a temporary lifespan for a reason. "Where I found my purpose getting drunk all night," Longhurst remarks of them. They're not entirely critical or celebratory of these summer nights of indulgence, but they're keenly aware of why they feel locked in the past. Those nights when "the sun don't rise" are elusive and memorable for their removal from past and future. On those nights, the only thing that feels real is those moments, those drinks, those parties. As he repeats the call for "One More Night," the greatest and most painful part is that they can never be replicated. But new and exciting nights are sure to follow (especially with their upcoming EU tour). Even in their studio recordings, Only The Poets capture the spirit of their live performances, demonstrating why they're a must see act. Until the beginning of 2023, the four-piece band remained unsigned as they emerged to notoriety in the UK live scene. Releasing a collection of demos in 2021, the band would go on to capture audiences attention with their 2022 debut EP, Our Time. 2023 saw Only The Poets' meteoric rise, playing over 50 shows across 10 different countries and selling out their UK headline tour. They have just begun their 'One More Night' European Tour in Paris and will continue through April across 22 dates. Written By Andy M. FOLLOW Only The Poets: Instagram | Spotify  | TikTok  | Facebook  | YouTube | Website

Marking an important milestone in her career, ZITA has released her first self-written single, "Love Is Blind." The track shows the artist's growth as a singer-songwriter, proving her talent and self-confidence with this masterful performance. Providing a relatable message just in time for Valentine's Day, ZITA explores love after heartbreak, taking us on a journey through what it feels like to be in a healthy relationship after a toxic one. The artist notes how her new partner gives her a sense of comfort that wasn't present in her previous relationship, depicting this in lyrics like, "You’re a remedy/‘Cause I never/thought that I could be this happy/After everything he’s done." "Love is Blind" is the perfect ode to new beginnings, giving listeners hope that there's someone good out there for everyone. Energetic and captivating from start to finish, "Love Is Blind" sets hearts on fire in the best of ways. The track is filled with infectious melodies and mesmerizing instrumentals, making it a prime candidate to be someone's next musical fixation. Creating a delicious pop-rock soundscape, ZITA incorporates driving beats and blistering guitar riffs throughout "Love Is Blind," providing an epic propulsion that keeps the song from having any dull moments. ZITA's enchanting vocals add another rich layer to the song's composition, effortlessly belting unforgettable melodic lines and showcasing the artist's vocal prowess. Dazzling audiences from a young age, ZITA began her journey by debuting on The Voice Kids. The impressive singer-songwriter easily advanced to the semi-finals on the show and has since built a large, loyal following on social media. Her rendition of "Dancing In The Sky" has now been streamed over 8 million times and has been followed by critically acclaimed songs like "Arcade," "I Have Nothing," and "Better Without." ZITA is certainly an artist to keep an eye on and is the perfect new discovery for fans of acts like Berre, Davina Michelle, Pommelien Thijs, and Laura Tesoro. Written By Cheyenne Johnson FOLLOW ZITA: Instagram | Spotify | TikTok | Apple Music | YouTube

Let's be honest: who doesn't need an angsty song to rock out to during the Valentine's Day season? That's where Hannah Duckworth's newest single, "All Alone," comes in as the perfect antidote. "All Alone" is a pop-punk banger about breaking up with your toxic ex-partner. We've all been there, and Duckworth authentically expresses those universal feelings of rage and pain. Her punk attitude, combined with the high-tempo guitar riffs and drumline from the iconic Aaron Gillespie (who worked for the likes of Paramore and Underoath), make for the ideal track to scream along to in the car. Hannah Duckworth once talked about a time when someone told her "All Alone" made them want to "jump on the bed, but cry at the same time," which completely represents the song's charm. "All Alone" is boisterous, fun, cathartic, and emotionally resonant, making for an all-around incredible ex-takedown anthem. One of the biggest strengths of "All Alone" is Duckworth's lyricism. The imagery she constructs within her songwriting is thoughtful and creative. Lines such as "Blowing up the city just to sit in all the ashes / All alone" as a metaphor for a partner's manipulation and constant mistreatment are poetic and earnest in depicting heartbreak and anger. Her delivery sells it, too. Hannah Duckworth is an expressive vocalist whose performance acts out the range of emotions one goes through during a tough breakup. When she sings about leaving the relationship (in another clever metaphor of jumping out of a burning building), the vocalist convicts such power for listeners to cheer along. Despite being about such a difficult and heartwrenching topic, the track is such a crowd-pleaser at times (especially when she sings, "need to stop with all your bitching," because, again, we've all been there). "All Alone" is a liberating pop-punk anthem bound for heartbreak playlists everywhere. Hannah Duckworth is a singer-songwriter based in Seattle. Her musical influences often come from 90s grunge to 2000s emo and pop-punk sounds. If you are a fan of artists like Paramore and Alanis Morisette or more recent musicians such as Olivia Rodrigo, Hannah Duckworth's sound is bound to appeal. Her first release came in 2022 with the single "Stay Quiet," and since then, her output has been consistent and prosperous. Tracks like "Anywhere But Here," "To All My Friends Who Didn't Make It," and "Summer Love" all have over 15,000 streams on Spotify, and the artist currently amasses over 4470 monthly listeners on the streaming platform as well. "All Alone" is one of the main singles to debut for her upcoming first EP, "Anywhere But Here," produced entirely with Gillespie. Look out for "Anywhere But Here," whose release date is set for sometime in 2024. "All Alone" and the rest of Duckworth's discography are available to stream now. Written By Lauren Nolan FOLLOW HANNAH: Instagram | Spotify | TikTok | Soundcloud | YouTube | Website *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator